![]() This feature may also be available for audio hardware with macOS drivers. If your audio hardware is ASIO 2.0 compatible, it may support ASIO Direct Monitoring. When using external monitoring, you cannot control the level of the monitor signal from within Cubase or add VST effects or EQ to the monitor signal. The latency value of the audio hardware configuration does not affect the monitor signal. It requires an external mixer for mixing the audio playback with the input signal. This requires an audio hardware configuration with a low latency value.Įxternal monitoring means listening to the input signal before it is sent into Cubase. If you use monitoring via Cubase, the input signal is mixed with the audio playback. In Cubase, monitoring means listening to the input signal while preparing to record or while recording. ![]() The basic recording methods apply to audio and MIDI recordings. In Cubase, you can record audio and MIDI. This is useful if you have no external MIDI instrument at hand and you do not want to draw in notes with the Draw tool. The On-Screen Keyboard allows you to play and record MIDI notes by using your computer keyboard or mouse. You can also work with selection ranges, which are independent from the event/part and track boundaries.Ĭubase offers multiple methods and functions to control playback and transport. ![]() Parts and events are the basic building blocks in Cubase.Įditing in the Project window is not restricted to handling whole events and parts. In Cubase, events and parts are placed on tracks. Tracks are the building blocks of your project. Each track is assigned to a particular channel strip in the MixConsole. Tracks are listed from top to bottom in the track list and extend horizontally across the Project window. They allow you to import, add, record, and edit parts and events. You must create and set up a project to work with the program. In Cubase, projects are the central documents. The Project window provides an overview of the project, and allows you to navigate and perform large scale editing. Here, you can also set up group and FX channels, external effects, external instruments, and the Control Room. To play back and record in Cubase, you must set up input and output busses in the Audio Connections window. To use Cubase, you must set up your audio, and if required, your MIDI system. Here you will find detailed information about all the features and functions in the program. This is the Operation Manual for Steinberg’s Cubase. NB: I can't reproduce Kontakt or Play not getting volume via closing and reopening Cubase and/or VE Pro.The following list informs you about the most important improvements in Cubase and provides links to the corresponding descriptions. There would be nothing in VE Pro or the instruments to cause this. See what happens with a write/read operation, if that still is not conveying my guess is Cubase is not working (yes I realized your midi OX says different). You may need to trash Cubase preferences and rebuild them. Your expectation does not appear to pan out. It should, but the problem is not with Kontakt, Play, or VE Pro. Even if there is one volume setting the whole track, WRITE IT. Test this: Write (and have Cubase Read) the instructions you want the instrument to perform. The notion you have of 'default volume' in Kontakt or Play is a red herring you are counting on it knowing something just through the connection and you're finding this not to be true. Cubase returning to a saved state as per the inspector is one thing the communication to the instruments is another. If you want to work with MIDI volume, you ultimately should deal with MIDI volume as read by the track. It is NOT necessary to activate the read button for this to work, and this also has no effect in my case - I tried it of course. ![]() "In the inspector" is a crucial point: I am not talking about track automation, I am talking specifically about the volume setting of the concerning MIDI track in the inspector (or the MIDI mixer, but without automation - which is actually the same).
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